Too good to be OK continues and builds upon Julian Abraham “Togar”’s long term work with sound, ranging from percussive signals in urban spaces to shared communication through music, bands, and jamming. Sound has been both a central medium in Togar’s individual practice and a feature of his socially-directed and collaborative projects. The exhibition in New York SculptureCenter incorporates sonic elements from works first generated in other social and political contexts, underlining a stance of global decolonial solidarity derived from the artist’s position living and working in Indonesia. With newly-commissioned musical instruments, audio works, kinetic sculptures, video, painting, and live events, Too good to be OK is Togar’s experiment with the “ongoing-ness” of his expansive form of artmaking. Moving forward, his work will develop new sounds, recompose itself as it shifts contexts, and distill ideas and methods from past endeavors to open the potential of new shared acoustic spaces.